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December 17th, 2015

‘Metaphysics of War’ by Julius Evola added to Virtual Library

May 1st, 2014

Gyula Tóth Video Lecture: “The Trap of False History 10 Years On” (with English subtitles) added

November 7th, 2013

‘The end of the Kali Yuga in 2025: Unraveling the mysteries of the Yuga Cycle’ by Bibhu Dev Misra added

October 23rd, 2011

The following titles added to Virtual Library:

By Julius Evola

‘The Yoga of Power’, ‘Introduction to Magic’ (with the UR Group), ‘The Hermetic Tradition’, ‘Ride the Tiger’, ‘Meditation on the Peaks’;

by Martin Lings

Collected Poems, ‘What Is Sufism?’

 

Confirmation Bias — The New Conspiracy Theory

What is the difference between confirmation bias and simply confirmation?

If I find a document detailing the agreement between two gangsters to rob a bank, that is reason to look for more proof of this suspected crime. According to this new concept of confirmation bias I’m now supposed to look for evidence that disproves my suspicion. If I don’t then I’m guilty of confirmation bias, and since that’s a psychological tendency — a flaw “we all are guilty of” — it’s dismissed as… a conspiracy theory.

, by Kartavirya Posted in Metapolitics | Leave a comment

Could the soul see God as clearly as the angels do she would never have come into the body.

- Eckhart

From the archives

  • MetahistorySacred Art

    The Mystery of the FUTHARK Alphabet

    The alphabets of ancient Norse monuments found in both Europe and Central Asia have stemmed from a common origin in a very remote past. Then, it was only a natural development for the Turkish, and the Germanic tribes that, although in locations so far away from each other, they could seperately carry on with this heritage of writing. I hold the belief that I have been able to prove the claim summarized above by reading the monuments written in Futhark [...]
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  • Basic Concepts

    About The Term “Traditional Authors” by Róbert Horváth

    The following text is entirely written by Róbert Horváth and is used by permission. The most eminent of the authors named “traditionalists” or “perennialists” are called “traditional authors” in Hungary. In this context, this latter expression should obviously be comprehended as contemporary, 20th or 21st century traditional authors. From the spiritual perspective – since traditionality […]
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  • Basic Concepts

    Style Elements of Negative Tendencies

    The following text is entirely written by Karlo Z Valois and is used by permission. 1. The War In the current era there’s a constant war between the superior and the inferior. Peace is achieved only by intellectual dominance, where hierarchical integration is perfect and the inferior, according to its degree of distance from the pure (formless) intellect is positioned appropriately. We can only talk about inferiority from the stand point of the superior. The superior, realizing a range of potentials unavailable to the [...]
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  • Sacred ArtTraditional Metaphysics

    Knowledge of the Symbol by Pietro Negri

    According to Dante (Convivium, II, 1), ” texts can be understood and expounded according to four senses”: the literal sense; the allegorical sense, which Dante says, “is a truth concealed behind a beautiful lie’; the moral sense; and the anagogical sense. The anagogical sense occurs when “reading in a spiritual way a scriptural passage, which in its literal meaning and in the things being signified points toward the things of eternal glory”; in other words, it is the innermost meaning [...]
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  • Sacred Art

    Interview with Peter Brook

    Peter Stephen Paul Brook CBE, director, filmmaker, author, painter, pianist and theater man to the bone, is a giant of world culture. Born on the spring equinox in 1925, Brook produced an acclaimed Faust at Oxford at 17 and at 20 became the youngest-ever director of the Royal Shakespeare Theatre. He has since directed over 40 major stage productions, created ten films, and with multiple stage, cinema and television versions returned the dramaturgically languishing gods of India’s Mahabharata to full-time [...]
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  • MetapoliticsSacred Art

    The Esoterism of Shakespeare’s Macbeth

    Having attended the new production of G. Verdi’s opera Macbeth at The Gothenburg Opera, I was quite surprised by the unexpected chosen interpretation of this great adaptation of Shakespeare’s masterpiece. (…) The main question I must raise is this: Why is it morally wrong of Macbeth to kill Duncan, if they are the same and why then is it morally right of Malcolm (through Macduff) to kill Macbeth? If they are the same, as they are displayed in Mr. Radok’s [...]
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