Sacred Tradition versus The Reign of Quantity

Recent updates:

‘Metaphysics of War’ by Julius Evola added to Virtual Library

Gyula Tóth Video Lecture: “The Trap of False History 10 Years On” (with English subtitles) added

‘The end of the Kali Yuga in 2025: Unraveling the mysteries of the Yuga Cycle’ by Bibhu Dev Misra added

The following titles added to Virtual Library:

By Julius Evola

‘The Yoga of Power’, ‘Introduction to Magic’ (with the UR Group), ‘The Hermetic Tradition’, ‘Ride the Tiger’, ‘Meditation on the Peaks’;

by Martin Lings

Collected Poems, ‘What Is Sufism?’

From the archives

• Sacred Art

  The Subversion Of Art

  The modernistic definition of art is that art is a mirror of our society. Society – and nowadays also the global world – should be reflected in art. It is considered its duty and its very purpose, together with the firm apprehension – typical of modernism – that through progress, art has developed this important role of giving a critical and different view of how to solve societies’ imperfections. This is totally false. The problem is that art is [...]
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• Traditional Metaphysics

  Contemplations on the Concept of Spiritual Aristocracy

  How could I possibly prove facts. Facts can only be indicated. Otto Weininger The belief that Science and Ratio is superior to Traditional and ancient knowledge confirms the belief in an evolutionary progress for the better, which is a typical sign of intellectual and spiritual stagnation. Anyone with eyes can see the fact of spiritual, […]
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• Sacred Art

  The Relations Between Religion and Art

  This article was written by Arthur Osborne and is taken from the January 1964 edition of the journal ‘Mountain Path’ available at www.ramana-maharshi.org Despite the secular spirit which swept over Europe at the Renaissance and has spread to the rest of the world in the present century, it would still be true to say that […]
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• Sacred Art

  Symbols And The Interpretation of Symbols: Two articles by Ananda K. Coomaraswamy

  SYMBOLS and signs, whether verbal, musical, dramatic or plastic, are means of communication. The references of symbols are to ideas and those of signs to things. (…) The language of traditional art—scripture, epic, folklore, ritual, and all the related crafts—is symbolic; and being a language of natural symbols, neither of private invention, nor established by conciliar agreement or mere custom, is a universal language. The symbol is the material embodiment, in sound, shape, colour or gesture as the case may [...]
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• Metahistory

  Gyula Tóth Video Lecture: The Trap of False History 10 Years On (with English subtitles)

  The original article titled “The Trap of False History” that was published on this site was the work of Gyula Tóth translated to English from the original Hungarian, and concerned Heribert Illig’s and Uwe Topper’s Phantom Time hypothesis in connection to the accuracy of the Hungarian chronicles. This very recently recorded lecture’s title is “The Sack of Rome, and – The Dark Ages?” and starts off by explaining the problem of the different calendars used in the world before, during [...]
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• Metapolitics • Sacred Art

  The Esoterism of Shakespeare’s Macbeth

  Having attended the new production of G. Verdi’s opera Macbeth at The Gothenburg Opera, I was quite surprised by the unexpected chosen interpretation of this great adaptation of Shakespeare’s masterpiece. (…) The main question I must raise is this: Why is it morally wrong of Macbeth to kill Duncan, if they are the same and why then is it morally right of Malcolm (through Macduff) to kill Macbeth? If they are the same, as they are displayed in Mr. Radok’s [...]
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